Free Ebook Small Buried Things (American Poetry), by Debra Marquart
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Small Buried Things (American Poetry), by Debra Marquart
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Poetry. Literary Nonfiction. Women's Studies. Pluck, swallow, bury, drive, frack. Debra Marquart's newest poetry ranges from the horrifying reality of Cold War leftovers, the consequences of fracking, and the heartbreak of misguided relationships, to the absurdity of swallowing pennies and finding a grey hair on your chin. Prepare yourself for laughter, shock, and awkward fidgeting with this amusing and touching collection of poetry.
- Sales Rank: #1449680 in Books
- Published on: 2015-04-09
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 6.00" w x .25" l, .43 pounds
- Binding: Paperback
- 104 pages
About the Author
Debra Marquart is a professor of English in the MFA Program in Creative Writing & Environment at Iowa State University and an affiliated faculty member with the Stonecoast Low- Residency MFA Program at University of Southern Maine. A performance poet, Marquart is the author of three poetry collections: EVERYTHING'S A VERB (New Rivers Press, 1995), From Sweetness (Pearl Editions, 2002), and SMALL BURIED THINGS (New Rivers Press, 2015). Marquart's work has received a 2008 Prose Literature Fellowship from the National Endowment for the Arts, a Pushcart Prize, the John Guyon Nonfiction Award (Crab Orchard Review), the Mid-American Review Nonfiction Award, The Headwater's Prize from New Rivers Press, the Minnesota Voices Award, the Pearl Poetry Award (Pearl Editions), the Shelby Foote Prize for the Essay from the Faulkner Society.
Most helpful customer reviews
0 of 0 people found the following review helpful.
An Interesting Read
By Britta Densmore
(reposted to correct spelling errors)
Small Buried Things is an incredibly varied book of poetry, with serious and emotional poems woven between silly ones that made me vocally giggle. The poems vary in quality as well, if I’m being honest. All of them are at least good enough to avoid feeling clich�; they’re all enjoyable. But there are a handful that go above and beyond that I’d like to touch on. “Door-to-Door” was probably my favorite by far. It was one of the longer poems, but it’s pacing was gorgeous and the set up and delivery of the story was masterful. It was a read that I thoroughly enjoyed from there very first line to last. “Small Buried Things” was also good, though the way spacing was done set me out of the poem the first time I read it, which was a downside. The poems about traveling through the airports felt comfortable and relatable, and her small collection “Whisker Meditations” had me reading the poems out loud to my nearby friend.
Though the poems varied from good to excellent, it’s easy to argue that there were many more poems that fall into the excellent category than there were poems that were merely good. My biggest critique is that the unique spacing in some of the poems brought me out of the mental imagery instead of into it. It worked for the author sometimes, but definitely not every time. My other main critique is her use of the term Ground Zero. While I’m aware this term is used for various things, the mental image it provokes for me at least, is not its original, generalized, meaning and I doubt I’m the only one. Now, I’m not putting this as a critique for any empathetic reason. I’m making this argument because I feel that this terminology causes the poems that use it to lose some of their power. When I read it the first several times, the mental images created were disrupted by burning towers and planes, and I do mean that the images were completely disrupted. It did not add to the severity of the situation in the poem, specifically because it took me completely out of it. This may not be as big of a problem for people of older generations who are used to hearing Ground Zero refer to anything other than 9/11, but for younger generations, the word is somewhat closely tied. Words can paint powerful pictures and can be interpreted many ways, but I feel that this word choice continually chopped into what were otherwise beautiful poems.
All of this said, the poems are definitely the buy and make for a fantastic read. The style and writing is enjoyable and relatable and Debra Marquart is definitely a poet worthy of attention.
0 of 0 people found the following review helpful.
A Collection of Seemingly Random Items.
By Amy B Hjelmstad
The poems that make up Debra Marquart’s Small Buried Things are varying, ranging from reflections on life and love to object analysis to lamentations over the fracking in western North Dakota. With ideas moving in so many different directions it is hard to find a consistent thread that strings these poems together; the book, rather, functions as a curio cabinet which Marquart has filled with a variety of colorful trinkets, each one unique in itself, related to the rest only in proximity of a shared space.
The collection is divided into three sections, the most coherent being Ground Zero, which is thematically linked by the setting: North Dakota. But despite the continuity of this section, it still feels the least connected to its author. Marquart’s pleas for North Dakota to “please, wake up” in “5. Lament” read like a stiff-faced news bulletin when compared to the desperate contemplations and continuous attempts to vanquish a chin whisker described in “Whisker Meditations.”
Poems like “Buoy,” “To The Woman Who Tore The Word “Husband” From The Oxford English Dictionary,” and “Poor You” carry a tone of resentment and victimization that is self-indulgent at best. The trouble with Marquart’s poetry, then, is this: the impersonal feels impersonal, and the personal doesn’t feel universal. That is not to say Marquart cannot write beautifully; the images she creates in many of her poems are rich with color and texture, her metaphors creating familiar images from unfamiliar materials. But the end result is still one of disconnect; an observer momentarily peaking through the glass of the curio at objects another person has collected.
0 of 0 people found the following review helpful.
Jordan's review of Small Buried Things
By FlubberMunky1623
Debra Marquart’s Small Buried Things is a collection of poems vividly chronicling the author’s upbringing in North Dakota.
It is unmistakably clear that the poems themselves were written with pure and honest emotion; her diction is something I found highly definitive, and as a North Dakota resident myself, it is almost impossible for me not to identify with Marquart’s words in the collection’s second act—regardless of my usual aversion to poetry.
However, it was the final section of the book that struck a cord, as it were. I will not ruin it for those who have yet to read this work, but it is here that Small Buried Things is, in this reader’s opinion, the purest.
The book itself brings to mind the structure of an anthology of sorts: Each poem stands on its own and fulfills what it sets out to accomplish, yet by the time the reader finishes the final page, it is clear there is a common theme and a beautiful cohesiveness between each work.
Upon finishing the collection, I would surmise that it was Marquart’s intent to present Small Buried Things as a reflection of daily life, and I would say that in this it succeeds. Marquart writes of happy times, and some of the poems feel even carefree at times, yet she is not afraid of—nor is she apologetic in—looking into a lifetime’s darker moments and themes here and there.
All in all, it’s a small collection that is very comprehensive, relatable, and therefore easy to read. The book itself is well-made: No distracting, flashy text, simple and to the point, and well-bound and not flimsy in the least.
~ Jordan Dean Williams
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